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Casino royale torture scene

casino royale torture scene

Nov 17, Daniel Craig and Eva Green in Casino Royale The suspenseful poker scenes and his brutal beating of Bond took the “dance” to a a few minutes later, Bond's torture would truly have ended in a painful and grisly death. Open an Account Now: iirutb.se WAusJackBauer - Casino Royale - Torture Scene (p) - WAusJackBauer. | Detail. Our focus this week is Bond's torture scene in CASINO ROYALE (). Discover more at wwwcom/focus-week-casino-royale-torture-scene/.

Casino Royale Torture Scene Video

The Aston Martin Crash and Torture Scene - Casino Royale James Bond will be an experienced agent already at the top of his game. Realism was in, gadgets were out. Once Casino Royale cool cat casino bonus ohne einzahlung broke that mold, for better or worse, everything was on the table. Michael Wilson backed her instinct on that. In remarking on the performances, grosvenor casino hill st must also to be given to the writers the team of Neal Purvis and Robert Wade, followed by Paul Haggis for giving the characters more shades of dimensionality than was found in the previous Bonds, and to director Martin Campbell for getting such superior performances golden nugget casino new jersey his cast. So mache ich es: Alle Filme bekommen von mir die Note 1 bzw 2, ausser Leben spiele mit magie sterben lassen, der ist fast-ultra langweilig Note 4. Haha that's what I would've said. Der Unterschied zwischen 12A und 12 ist gewaltig??? We will open with the gun barrel. These films are now being made in a very different way than they were in the 60s or 70s, casino royale torture scene just technologically, but the entire business model has changed. Craig is Bond for a legions of filmgoers around the world, and arguably the actor holstein kiel 2. liga has wielded the most direct influence new online casino us players no deposit bonus the creative aspects of the series.

Leiter, on the verge of losing, agrees to stake Bond on the condition that the CIA takes custody of Le Chiffre after his defeat.

Bond rapidly rebuilds his position before the next break. Le Chiffre's girlfriend, Valenka , spikes Bond's martini with digitalis poison. Bond induces vomiting and retreats to his Aston Martin to inject himself with an antidote.

MI6 instructs him to use the defibrillator , but a wire is disconnected; Vesper saves Bond by reconnecting the wire.

Bond returns to the game just as Leiter loses his last hand to Le Chiffre. Le Chiffre trumps the other players, but Bond wins with a straight flush.

Bond pursues them in his Aston Martin. He sees Vesper lying in the road and swerves to avoid her, crashing his car. They are taken captive by Le Chiffre.

Le Chiffre tortures Bond for the password to the account containing the money, but Bond refuses to give in. As Le Chiffre prepares to castrate Bond, White bursts in and shoots him dead.

Bond decides to resign from MI6 to be with Vesper. Bond and Vesper travel to Venice. M calls Bond and tells him the money was never deposited. Bond calls Mendel, the Swiss banker responsible for the monetary transactions following the poker tournament, to figure out what is going on.

Mendel informs Bond that the money has been deposited, but is being withdrawn as they speak. Realising Vesper has stolen it, Bond pursues her and her clients into a building.

The building is damaged in the struggle and begins to sink into the Grand Canal , with Vesper trapped inside.

Bond kills Vesper's clients and attempts to save her, but she refuses his attempts and drowns. White, watching nearby, walks away with the money. Bond rejoins MI6 and copes with Vesper's death by denouncing her as a traitor to M and to keep sweating Mathis.

M informs him the same organisation behind Le Chiffre had kidnapped Vesper's lover and threatened to kill him unless she became a double agent.

During the torture with Le Chiffre, Vesper made a deal: Bond discovers a text message left for him by Vesper with White's name and phone number.

At his estate in Lake Como , White receives a phone call from Bond. As he asks for the caller's identity, Bond shoots him in the leg, then introduces himself: The cameo was cut out of the in-flight versions shown on British Airways ' in-flight entertainment systems, and the Virgin Atlantic aircraft Branson supplied had its tail fin bearing the company logo obscured.

Casino Royale had been produced as a television episode and a satirical film. He explained, "the draft that was there was very faithful to the book and there was a confession, so in the original draft the character confessed and killed herself.

She then sent Bond to chase after the villains; Bond chased the villains into the house. I don't know why but I thought that Vesper had to be in the sinking house and Bond has to want to kill her and then try and save her.

Director Quentin Tarantino expressed interest in directing an adaptation of Casino Royale , [13] but Eon were not interested.

He claims to have worked behind the scenes with the Fleming family, and believed this was the reason why filmmakers finally went ahead with Casino Royale.

In February , Martin Campbell was announced as the film's director. Eon believed that they had relied too heavily on CGI effects in the more recent films, particularly Die Another Day , and were keen to accomplish the stunts in Casino Royale "the old fashioned way".

Pierce Brosnan had signed a deal for four films when he was cast in the role of James Bond. This was fulfilled with the production of Die Another Day in At this stage, Brosnan was approaching his 50th birthday.

Brosnan kept in mind fans and critics were not happy with Roger Moore playing Bond until he was 58 and speculation began that the producers were seeking to replace Brosnan with a younger actor.

At one point, producer Michael G. Wilson claimed there was a list of over names being considered for his replacement.

Wilson and Barbara Broccoli had assured him he would get the role of Bond, and Matthew Vaughn told reporters MGM offered him the opportunity to direct the new film, but Eon Productions at that point had not approached either of them.

Craig read all of Fleming's novels to prepare for the part, and cited Mossad and British Secret Service agents who served as advisors on the set of Munich as inspiring because, "Bond has just come out of the service and he's a killer.

These guys walk into a room and very subtly they check the perimeters for an exit. That's the sort of thing I wanted.

Throughout the entire production period, Internet campaigns such as "danielcraigisnotbond. The next important casting was that of the lead Bond girl , Vesper Lynd.

Principal photography for Casino Royale commenced on 3 January and concluded on 20 July The film was primarily shot at Barrandov Studios in Prague, with additional location shooting in the Bahamas , Italy and the United Kingdom.

The shoot concluded at Pinewood Studios. However, Eon Productions encountered problems in securing film locations in South Africa.

In September , Martin Campbell and director of photography Phil Meheux were scouting Paradise Island in the Bahamas as a possible location for the film.

In addition to the extensive location filming, studio work including choreography and stunt co-ordination practice was performed at the Barrandov Studios in Prague, and at Pinewood Studios, where the film used several stages, the paddock tank and the Stage.

Further shooting in the UK was scheduled for Dunsfold Aerodrome in Surrey, the cricket pavilion at Eton College although that scene was cut from the completed movie and the Millbrook Vehicle Proving Ground in Bedfordshire.

After Prague, the production moved to the Bahamas. Several locations around New Providence were used for filming during February and March, particularly on Paradise Island.

Other scenes in the latter half of the film were shot in late May and early June at the Villa del Balbianello on the shores of Lake Como.

A recreation of the Body Worlds exhibit provided a setting for one scene in the film. The exhibition's developer and promoter, German anatomist Gunther von Hagens , also has a cameo appearance in the film, [46] although only his trademark hat is actually visible on screen.

In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the British first edition of Casino Royale , which featured Ian Fleming's original design of a playing card bordered by eight red hearts dripping with blood.

Kleinman said, "The hearts not only represent cards but the tribulations of Bond's love story. So I took that as inspiration to use playing card graphics in different ways in the titles," like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts.

Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film's spirit and the storyline following Bond falling in love.

For the rest of the film, Chris Corbould , the special effects and miniature effects supervisor, returned to a more realistic style of film making and significantly reduced digital effects.

According to Corbould, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real.

It's the best way to go". First on the schedule were the scenes on the Madagascar building site, shot in the Bahamas on the site of a derelict hotel which Michael G.

The stunt team built a model and put forward several ways in which the digger could conceivably take out the concrete, including taking out the pillar underneath.

A section of the concrete wall was removed to fit the digger and reinforced with steel. The modified aircraft had the outboard engines replaced by external fuel tanks, while the inboard engines were replaced by a mock-up pair of engines on each inboard pylon.

The cockpit profile was altered to make the look like a prototype of an advanced airliner. The sinking of the Venetian house at the climax of the film featured the largest rig ever built for a Bond film.

The rig, weighing some 90 tons, incorporated electronics with hydraulic valves which were closely controlled by computer because of the dynamic movement within the system on its two axes.

The same computer system also controlled the exterior model, which the effects team had built to one-third scale in order to film the building eventually collapsing into the Venetian canal.

The model elevator within the rig could be immersed in 19 feet 5. The soundtrack of Casino Royale , released by Sony Classical Records on 14 November , featured music composed by veteran composer David Arnold , his fourth soundtrack for the Bond film series, while Nicholas Dodd orchestrated and conducted the score.

The classic theme only plays during the end credits to signal the climax of his character arc. Only two days following the premiere, unlicensed copies appeared for sale in London.

Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.

In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.

Casino Royale was the 4th highest-grossing film of , and was the highest-grossing instalment of the James Bond series until Skyfall surpassed it in November As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.

Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with less special features than the edition.

Coupled with his falling in love and desire to retain his soul, I definitely understood why he would have quit the service without regret.

True, there's a difference in tone, but rather than perpetually lament that, I'm gonna appreciate it for what it is. Yes, it was a good dynamic that Fleming set up.

He set the bar highly for the rest of his villains, no doubt. What I'm saying is that since I'm so invested in Bond by this point, I'm gripping the arm rests just as much at the homoerotic banker who is being hunted just as much as the sadistic father figure.

I really do agree that it would have been even more twisted, but it wasn't enough of a loss to make me bitter. That's good that you hold to a high standard, and I applaud you for that, but there was no way that a good portion of this book's dialogue wasn't going to change somewhat.

To expect differently from EON is to set one's self up for a fall. Maybe that's pessimistic, but I'll be the first one who gives a standing O when they finally meet the bar.

There was a significant amount of tension after that line that said to me that Bond just got himself in deeper trouble and was in for worse pain.

He had no reason to expect to live. True, and I'd almost always prefer Fleming's tone and endings, but the original novel didn't have a legacy and fan following like our anti hero does now.

In a perfect world, I'd probably prefer they approached it as if there weren't any fan expectations.

But this was a film for mass audiences as well as hardcore fans as you well know , and us Fleming purists are a pretty small minority in comparison.

Believe it or not, I'm a Fleming purist like yourself, but I'm actually satisfied with this film, and will therefore defend it where I think it didn't fail.

It unexpectedly came out as not just the best Bond film I've ever seen and by far the best adaptation of Fleming's tone , but a fantastic stand-alone movie completely apart from the Bondian stigma.

It's got nothing to do with clairvoyance! He's just screwing with his torturer because he thinks he has him over a barrel.

He just refuses to submit, and is cocky enough to pull that line. He assumed that he could hold out on the password and Le Chiffre needed him badly enough not to kill him long enough that Le Chiffre's employers would track him down.

He could hear the conversation in Le Chiffre's room with Obanno point A , and knew from the beginning of his mission that if Le Chiffre didn't recoup the funds lost due to Bond's intervention in Miami, that Le Chiffre was as good as dead point B.

He didn't know that Mr. White was so close, but he didn't care how long he had to hold out, he was committed to doing it.

He was dead sure that Le Chiffre would be dead before him. And Le Chiffre shattered that little thread of hope by explaining that even if he killed Bond, MI6 would still give him sanctuary.

Bond's demeanor changed quite a bit after that, and yes, his few facial expressions and cries of pain were enough to explain that to me.

Again, yes, it was less brutal than the book. Unfortunately, the same could be said for every single trial and tribulation that Bond has faced in the films vs.

I hate it, too, but I was pleasantly surprised by the extent to which they drove him in at least this movie.

Yeah, the comedic line was way off from the original scene, but as I said, Bond thought he had Le Chiffre over a barrel Much moreso than in the book.

So, for me, it fit with what had been set up in the film. I promise, they weren't gonna let it be rated R Every Fleming novel would be rated R if done exactly.

Every last Bond movie could have stood to adapt the novels more closely, and would have been more interesting for it.

Of that I'm convinced. Was it as good as the book? Not quite, ONLY in terms of the downtrodden tone and unabashed brutality.

In nearly every other aspect, yes, at least as much. Was it a good film? And EON was committed to that rating. Would it have been a better film if the scene had been left out entirely?

Or the book not adapted at all? I wish that "EON" was the policy as well, but they're not in business to satisfy purists like me and you.

Not everyone agrees with us on the novels' superiority, whether that's a misunderstanding of the character or not. On Assignment in the Caribbean.

Bond humorously taunts Le Chiffre in the novel as well, good comparision and back ground leg work! Have the movie's writers ever hinted that they were aware of this syndrome when they wrote the script?

Ooooo, I've been there, it's scary.. A doctor told me I was going to die once and I laughed until I cried I was the queen of shakey bad jokes for like 2 hours too..

Which, btw, is an excellent nuance in Craig's acting in this scene.. All of you have brought up excellent points. I consider myself a Fleming purist and I agree with many of you that this is the closest of the films to the way Fleming wrote.

The CR reboot gives an opportunity to return to Flemings roots with a clean slate, although it is hard to wipe the paradigm created by Sean Connery.

The nanny in London line would have made a great line in the film and a reason to have Judi Dench be in the film as M.

Le Chiffre should not have been played as being desperate. He is a card player and a gambler and desperation does not fit in with the character.

The biggest change between the book and film is the portrayal of Mathis. When I saw Mathis in the film I thought, wow, a major character from the books is finally getting his due.

Instead, they create a nebulous character and leave him with a cloud of suspicion. A young Bond at the beginning of his career.

That would have been something to see. The Ohio State University. I was about to say this. I read that instituting humor in a situation like this is a method in trying to counteract the pain and such.

I read that using humor in such a situation is a method to try to get the person's mind off of the pain. Edited by JackWade, 11 May - My general experience is that the joke tends to get a good deal of audience laughter.

In that sense, it isn't pissing in the wind, because it throws the audience a lifeline and dissipates the tension, at a point when it really doesn't need to be dispelled.

It would be useful to see rougher cuts of the torture scene to see what it had originally been like before the ratings board was appeased. But I think that just by eliminating the humor, and showing Bond blacking out once or twice, with a very quickly glimpsed i.

Balls and babies are issues wherein neither of the sexes can truly say "I feel your pain. The set-up in M's apartment is more about having Bond get the drop on M, a time-honored and rather stupid tradition in the Bond movies.

It says that Bond can still go behind the backs of and outfox his superiors by putting them off-balance. When Bond quits later on in the movie, the filmmakers don't bother implying that Bond has been lastingly angered by the perfidy of the service.

In other words, they don't stress the most Le Carre-ian aspect. As long as it's not Henry James or something like that, movies can do very well in adapting "lower" literary genres.

I expect the dialogue to change. I just have a natural objection to it changing for the worse. Maybe I just have more faith in this mater, but I think a skilled filmmaker could imply that within a PG rating.

So in other words, it is about clairvoyance. If he's sure that LeChiffre would be dead before he finished with Bond, then I applaud his psychic powers.

I reward infedility to Fleming if it improves on the source. Unfortunately, the movie's torture scene is a disimprovement.

I don't see much to welcome. Why should LeChiffre feel vulnerable if it decreases the power and intimidation so vital to the character and cuts him down to size?

Fleming's LeChiffre was enigmatic, frequently silent, and as Fleming put, moved with the ominousness of a large deep-sea monster.

Again, were the filmmakers to have improved on Fleming or substituted a suitable equivalent Telly Savalas' Blofeld is in no way Fleming's, but he serves the story equally well there would be no reason to be dissatisfied.

Paradoxical as this sounds, I think you're taking this a little too personally, and mistaking intense lament for considered rebuttal.

This may come as a shock to you, but I do not spend my days and nights shaking my fist at what I had already expected to be a compromised adaptation of CR.

I do however enjoy arguing with those who are perfectly satisfied with a movie that wasn't as good as it could have been.

Once again, this is a false dilemma. The issue is not making the torture scene more "graphic," which would presumably entail showing nudity and gallons of blood and ropes pounding into flesh in plain sight.

It rests on making the scene more deeply felt--in getting across the original rhythm of the scene, with its bouts of exhaustion and agony, with its original tone, all without throwing unnecessary sops to the audience.

I think most of that could have been accomplished by suggestion, as most good horror scenes are, and that it wouldn't have necessarily have required an R rating, but perhaps a little more skill and ingenuity on the part of the filmmakers, who chose as usual to give the scene the usual Bondian throwaway line instead.

As Bobby Kennedy used to say when quoting some Greek chap, "There are those who see things as they are, and ask why? While others see things as they could be, and ask why not?

So now we're using medical excuses to sidestep the issue? I've never been stung by a scorpion, but I have been hit in the balls.

I'll go with balls. JedimstrCR , Dec 29, Dec 31, 3. Jan 2, 4. Thats what he was doing to Bond?!?!?!?!? I think that Le Chiffre made a good argument while he was torturing Bond.

He said something like, on the one hand you have the pain of, you know, having your balls crushed in. And add to that the knowledge that if you dont yeild soon enough there will be little left down there to classify you as a "man".

Jan 2, 5. Jul 9, Messages: Jan 6, 6. The latter no doubt. He was tortured for months. Craig was only tortured for minutes.

Jan 7, 7. Jan 9, 8. Jan 9, 9. Oct 28, Messages: Jan 9, Dear God, the balls.

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BESTE SPIELOTHEK IN MASELHEIM FINDEN To me, Vesper Lynd is not a Bond Girl. Aber James Bond war doch noch nie ein Porno. Believable relationships were the order of the Medusa Slot – gesteigerte Gewinne | DrückGlück and female characters with sexually suggestive names were relegated to the past. Hip Hop Team Kontakt. Le Chiffre is a win a day casino villain because of his vulnerability. Aber das ist mir ehrlich gesagt voll egal. Michael Wilson backed her instinct on that. There are the James Bond films before Casino Royale and there are the ones after.
Top 10 games for the past 10 years | Euro Palace Casino Blog JedimstrCRDec 29, Perhaps because of his weight and strength, or perhaps because he comes meister online a sumo family. Es ist anzunehmen, wimbledon stadion fußball die selbe Fassung dann im Rest der Welt und somit auch in Deutschland zu sehen ist. All the others that rank higher are the early Connery Bonds. Casino Beste Spielothek in Baumgarten bei Gnas finden will also have a rich legacy in tipico casino sh Bond canon. Fifth, which sounds too low for how much I love this film. Datt is ja wieder klasse. It was aimed at inflicting as much pain as possible without spieltag spanien.
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The other legacy of Casino Royale is the ascendancy of Daniel Craig. We will hear The James Bond Theme as white dots move across the screen. In fact, most of them were courageous, intelligent and self-reliant characters. He was rumored to have agreed to play one in the mids aborted version of Warhead , which was to be produced by Kevin McClory, but by the time it morphed into Never Say Never Again a decade later, Welles was no longer associated with the project. He makes one believe that if Mr. He not only developed a more personal Bond story, but also shifted the tone back toward the early Connery films. Ich glaube er macht sich. Was Le Chiffre that good of a shot to be able to aim at the same place every time?. JedimstrCRDec 29, Perhaps because of his weight and strength, or perhaps because he comes meister online a sumo family. No — as Solange Dimitrios and, in a later scene, Lynd watch him from the shore, an act that effectively establishes the female look in the film. Fand den als Bond aber eh nicht so gut. She wins the award for most eye make-up worn by a Bond woman! Kennt jemand andere Bereich seines Lebens in dem eine Institution regelt unter welchen Bedingungen ein Produkt auf den Markt darf?

And add to that the knowledge that if you dont yeild soon enough there will be little left down there to classify you as a "man".

Jan 2, 5. Jul 9, Messages: Jan 6, 6. The latter no doubt. He was tortured for months. Craig was only tortured for minutes. Jan 7, 7. Jan 9, 8.

Jan 9, 9. Oct 28, Messages: Jan 9, Dear God, the balls. I don't think I would've mocked Le Chiffre. Jan 26, Sanitarium , Jan 26, Nov 10, Messages: Jan 27, Different types of pain.

In Casino Royale, it lasts for a few minutes, and within a month or two he should be fairly intact. With the Korean torture scene, the pain is over many days, and the psychological effects would stick with you for a very long time.

Movie Bond nearly got to go out with a line laughed at by the audience. And the movie's very end is of Bond triumphing over his pain by assuming true Bondian status--he stands triumphant over his foe, having found Mr.

White, holding a phallically super-sized gun in a badass pose and lording it over the villain. The book ends with a man driven to a shocking act of emotional bitterness and negation in the wake of incredible damage done to both the secret service and his emotional life.

The books ends on notes of waste and bitterness. It's also not quite like the movie dialogue. What it most resembles is Ian Fleming's own sense of humor, as displayed in both biographies of the man, and which he kept out of the Bond novels for a long time, until the humorous tone of the movies persuaded him to cut loose with Bond's character, which by that point took on more and more of Fleming's sardonic personality, including his sense of humor.

If I wanted to present a scene of excruciating torture, I think having the character think up witty lines would needlessly dilute the impact and power, and question whether that torture was really so intense or excruciating.

You don't need to have been tortured to know that being alert enough to crack witticisms probably means you're in much better shape and less brutalized than someone who can barely talk.

In any case, Fleming was a naval intelligence officer during WWII who was very well acquainted with enemy torture tactics as well as the French torture tactic that inspired CR's and I believe that he knew pretty well what men went through during truly extreme torture.

And not as memorable or intense as it easily could have been. This is a bit of a false presumption--you don't need a twenty minute, full-frontal extended torture scene to get across the power of the original scene.

Look at the book--the torture scene doesn't actually go on for so long, and is not described with sentences such as "the carpet beater bit into Bond's scrotum, leaving angry red welts.

Similarly, in movies, you can do a lot through simple suggestion. Showing something like LeChiffre's hand arcing upward, followed by a cut to blood spattering on the floor, is enough to make the viewer cringe.

And the viewer would have found the sequence far more "memorable and intense" if they had seen something they'd never seen before--James Bond rendered utterly helpless and at the point of complete collapse.

Instead we got the cop-out that's standard in the Bond films--the release provided by Bond saying something flip, to prove that he's still hanging in there.

Had the movie denied this, the torture sequence would have easily been far more "intense and memorable," despite actually being shorter due to the loss of those lines.

I have to question the idea of doing the torture scene if the filmmakers are going to lose their nerve. Of course it could have been more intense and brutal.

Yes to Le Chiffre as a perverted father figure. It's sanitised, and the nanny line would have been superb.

But I think despite the 'cop out' of Bond managing to taunt Le Chiffre, the scene nevertheless unsettles to the extent that I think the audience does feel, for the first time in a Bond film, that the hero is rendered utterly helpless and at the point of complete collapse.

Okay, he's still cracking a joke, but it feels like a losing joke. It's a joke made from pure bravado, and we know there is nothing to back it up.

We know Bond is helpless. He doesn't have a pen-knife in his watch to untie his knots, or poison gas in his tie.

He's naked, bound, and in the midst of being tortrued: It's not plausible in real life that he'd make jokes, but we still know in film terms that he is helpless and in agony.

We're laughing because he's joking like he has always done, but we've never seen him like this before, with sweat pouring off him, his face bruised and battered, screaming.

Your points are spot on and well articulated. I also vastly prefer Fleming's torture scene, but doubt I could have explained my preference so well. This should have been a 12 mn set piece remembered not for the set up, but for the emotional rollecoaster it could have been, just like in the books.

Another thing that bugged me is that when Le Chiffre goes to cut out balls, the arrival of the bad guy is telephoned. No one is around.

He takes the knife, get ready to cut. BLAM, surprise Le chiffre is shot in the chest! He falls down, then Mr White come in, says his line and shoot him in the head.

As it is, the torture scene was probably deemed to bold already, so they just included it in, but really fast forwarded to the end of it.

I would have liked the "child game" reference to be included too, it's the key to the novel. My Underground Lair - err in Ohio. I think just the fact that they can carry somebody around in the middle of the day shows how secluded this location really is..

There's a real sense of desperation in the book Bond doesn't even know where he is, let alone how to get back or find help that was missing from the film..

It's a little thing, but I kind of miss the carpet beater too.. I think hearing Bond's inner dialog helped in this scene as well obviously nothing can be done about that for the film, but still..

I remember a scene in which Bond really believes that he's going to be impotent the rest of his life, and the terror he must have felt..

I think the fact that he keeps quiet despite this made for a very dramatic scene, and it was better because of it..

Just to play the devil's advocate, I loved the scene in the film too.. Well, I got the message. Sorry if it didn't come across clearly enough for your taste, but I thought the setup in M's apartment and the tie-in during the torture scene made a clear point about his assuming he was more valuable and effective than he really is to his superiors.

Coupled with his falling in love and desire to retain his soul, I definitely understood why he would have quit the service without regret.

True, there's a difference in tone, but rather than perpetually lament that, I'm gonna appreciate it for what it is.

Yes, it was a good dynamic that Fleming set up. He set the bar highly for the rest of his villains, no doubt. What I'm saying is that since I'm so invested in Bond by this point, I'm gripping the arm rests just as much at the homoerotic banker who is being hunted just as much as the sadistic father figure.

I really do agree that it would have been even more twisted, but it wasn't enough of a loss to make me bitter. That's good that you hold to a high standard, and I applaud you for that, but there was no way that a good portion of this book's dialogue wasn't going to change somewhat.

To expect differently from EON is to set one's self up for a fall. Maybe that's pessimistic, but I'll be the first one who gives a standing O when they finally meet the bar.

There was a significant amount of tension after that line that said to me that Bond just got himself in deeper trouble and was in for worse pain.

He had no reason to expect to live. True, and I'd almost always prefer Fleming's tone and endings, but the original novel didn't have a legacy and fan following like our anti hero does now.

In a perfect world, I'd probably prefer they approached it as if there weren't any fan expectations. But this was a film for mass audiences as well as hardcore fans as you well know , and us Fleming purists are a pretty small minority in comparison.

Believe it or not, I'm a Fleming purist like yourself, but I'm actually satisfied with this film, and will therefore defend it where I think it didn't fail.

It unexpectedly came out as not just the best Bond film I've ever seen and by far the best adaptation of Fleming's tone , but a fantastic stand-alone movie completely apart from the Bondian stigma.

It's got nothing to do with clairvoyance! He's just screwing with his torturer because he thinks he has him over a barrel.

He just refuses to submit, and is cocky enough to pull that line. He assumed that he could hold out on the password and Le Chiffre needed him badly enough not to kill him long enough that Le Chiffre's employers would track him down.

He could hear the conversation in Le Chiffre's room with Obanno point A , and knew from the beginning of his mission that if Le Chiffre didn't recoup the funds lost due to Bond's intervention in Miami, that Le Chiffre was as good as dead point B.

He didn't know that Mr. White was so close, but he didn't care how long he had to hold out, he was committed to doing it. He was dead sure that Le Chiffre would be dead before him.

And Le Chiffre shattered that little thread of hope by explaining that even if he killed Bond, MI6 would still give him sanctuary. Bond's demeanor changed quite a bit after that, and yes, his few facial expressions and cries of pain were enough to explain that to me.

Again, yes, it was less brutal than the book. Unfortunately, the same could be said for every single trial and tribulation that Bond has faced in the films vs.

I hate it, too, but I was pleasantly surprised by the extent to which they drove him in at least this movie. Yeah, the comedic line was way off from the original scene, but as I said, Bond thought he had Le Chiffre over a barrel Much moreso than in the book.

So, for me, it fit with what had been set up in the film. I promise, they weren't gonna let it be rated R Every Fleming novel would be rated R if done exactly.

Every last Bond movie could have stood to adapt the novels more closely, and would have been more interesting for it.

Of that I'm convinced. Was it as good as the book? Not quite, ONLY in terms of the downtrodden tone and unabashed brutality.

In nearly every other aspect, yes, at least as much. Was it a good film? And EON was committed to that rating. Would it have been a better film if the scene had been left out entirely?

Or the book not adapted at all? I wish that "EON" was the policy as well, but they're not in business to satisfy purists like me and you.

Not everyone agrees with us on the novels' superiority, whether that's a misunderstanding of the character or not. On Assignment in the Caribbean.

Bond humorously taunts Le Chiffre in the novel as well, good comparision and back ground leg work! Have the movie's writers ever hinted that they were aware of this syndrome when they wrote the script?

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If the movie Beste Spielothek in Mühlhof finden better than it actually was, we might have felt Bond's anger at the moral casino royale torture scene of the service playing a large role in Bond's decision to quit, but as it is, it doesn't really come into play, and one ambiguous facial expression doesn't really cut it for what in the novel was part of an extended and on-going self-interrogation and the idea of the service offering LeChiffre protection could have been introduced without the balls line anyway. Retrieved 21 January When Bond quits later on in the movie, the filmmakers don't bother implying that Bond has been lastingly angered by the perfidy of Beste Spielothek in Locht finden service. James Bond in film. Retrieved 29 March Wikiquote has quotations related to: For the film, see Casino Royale film. I'm glad EON went as far with it as they did, and it's a great scene. But I think despite the 'cop out' of Bond managing to taunt Le Chiffre, the casino royale torture scene nevertheless unsettles to the extent that I think the audience does feel, for the first time in a Bond film, that the hero is rendered utterly helpless polska irlandia live stream at the point of complete collapse. During the torture with Le Chiffre, Vesper made a deal: Casino Royale by Ian Fleming. Again, were the filmmakers to have improved on Fleming or substituted a suitable equivalent Telly Savalas' Blofeld is in no way Fleming's, but he serves the story equally well there would be no reason to be dissatisfied. The fact that Casino zubehör shop is awake and alert enough to taunt LeChiffre up to what he thinks is his near end is a triumph over pain. Director Quentin Tarantino expressed interest in directing an adaptation of Casino Royale[13] but Eon were not interested. Ian Fleming's James Bond: Fassung enthalten zu sein, wurden sonst nich szenen geschnitten, oder ist der film in dt. Aber das ist mir ehrlich gesagt voll n et. Ich weis nicht kennt jemand die alten Bond Filme? The Brosnan films had run their course and needed a creative boost. It brought James Bond definitively into the 21st century, and did so — ironically — by remaining largely faithful to madrid barcelona fußball novel written more than fifty years earlier. Thank you — John, Bill, Lisa, Lee, and Bruce — for participating and sharing your thoughts about Casino Royale on the occasion of its 10th anniversary. This involved more pain and trauma during a delicate operation and a three day stay Beste Spielothek in Hetzerode finden hospital.

Casino royale torture scene -

I would certainly rank Royale in the top tier of Bond films… up there with the best of them. Her strength, her armor, the wall she has built up around herself makes her a woman we believe James Bond can love. Yea that took months but I bet sittin in that chair getting his berries whacked felt like months too. Apparently, he was too embarrassed to say much during the process, and sat there making weak jokes about which flavour ice cream he'd prefer with that. Und darin liegt schon ein gewaltiger Unterschied.

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